How long does it take to edit this bloody thing? Our main edit has been completed for just under a year now. In order to fully realise our vision, we wanted to add some animated transitions between the scenes to add a bit more originality to the episode. The preferred method being rotoscoping, check out the Keanu Reeves and Robert Downey Jr film ‘A Scanner Darkly’ for an example http://www.youtube.com/watch?v=4E9zMVocnys.
Rotoscoping on a budget is a right pain in the **** in that it takes a lot of manual effort to produce just one frame (there are 24 frames in a second of video). So for a five second transition, you need 115 frames and if it takes half an hour per frame, it would take roughly two whole days of work to produce 5 seconds of footage.
It took us a whopping 6 months to find someone who was interested in working that hard on a lo/no pay basis and the reason why they came on board is that they thought the PFZ story is one worth telling.
You can see our animator’s blog here: http://denisantanasblog.blogspot.co.uk/2013/12/last-project-of-year.html
The talented Deni Santana has spent the majority of December working on our transitions, half of them are done and she is currently working on the other half. Thank to Deni’s dedication and creative flair, we have also asked her to be involved in creating the Title Sequence once the transitions are done. Deni is juggling our work among other paid work, check out her blog for more on her current projects.
To be frank, it sucks to have a great piece like PFZ in hand and not be able to share it with the world ASAP, sucks to have to spend so much time on post production, it is downright depressing when i think that we finished shooting this in 2012 and its still not out in 2014. But it will be done, we won’t give up.
I would like to thank everyone who has worked on this and is currently working on this on top of their full time job and family responsibilities, your help is really appreciated.
PFZ will be worth the wait.
A month ago I posted yet another ad on Mandy.com for a 2d animator, I didn’t have much hope as previous ads hadn’t generated any replies at all. You can imagine my surprise when I received 20+ replies to this ad. 20+ Applications to become PhatFyterz’s(?) 2D animator, that’s what I call a result. This weekend I will be going through the various showreels on vimeo and youtube and selecting a few for an informal chat.
Although I am pleased by the popularity of the ad, it is also concerning that so many of the applicants have around a decade of experience in the industry and are still struggling to find work. I suppose with the pervasiveness of visual media these days, a lot more people are interested in getting into that industry, demand for animators is short but supply is very high. I will be ’employing’ one of the guys/gals at no fee as it is a not for profit project at this point.
However, after seeing so many experienced artists out of work, it has renewed my interest in turning this project into a commercially viable one in the near future so that I can actually employ one of these people without the air quotes. What’s also cool is that the artists are from all over the place, some in London, Birmingham, Ireland, Spain and even Georgia! I didn’t realise mandy.com was so commonly used.
I look forward to watching your work and speaking to you all very soon!
Hey all, editing is still in full swing and going rather well, I must say. Here is a little post that our lead actress wrote during filming, enjoy! – Zaeem
“So. Phat Fyterz. I had the phone call last week from Zaeem being told I had just been cast as the lead character of Allie in the Pilot of Phat Fyterz, the new TV series.
My auditions were filmed by my friend on her iphone in some rather interesting locations (a secret door through the disabled toilets that leads into the pipe and storage room) so I was quite impressed my acting managed to be good enough to overcome the weird location and iphone camera.
After a colder than it looked rehearsal in front of the London Eye last Sunday, today we went to London Bridge to hang about in front of a shop and look like we were generally up to no good (again, definitely colder than expected).
I got to tell a man off for eating too many bananas (in the short time we were there I saw him eating 3 – that’s just too many bananas for anyone and who knows how many more he’d eaten before I saw him) Allie stole booze from a poor bespectacled man and also had a piggy back race and won, and I generally ran around trying not to freeze.
After a warming drink in a pub afterwards we sorted out all the shoot dates and watched the Wakefield Wildcats (my home town team) lose a rugby match really badly and also introduced Mo who plays Toby to the wonderful warming drink that is Baileys.
My fingers are really crossed that we get some of that beautiful sunshine back into our lives for the next outside shoot dates. Can you tell I don’t like being cold?!
Bring on the next scenes!-Sam”
Hurrah! Celebrate good times Cmon!! We have finishing our main shoot! YAAY!
It was a great fun, however I personally was very close to killing Z as it was VERY cold on some of those days, just as London got used to the glorious warmth and sunshine! Have you ever been so cold you just wanted to cry?? lol
I have to give it to our amazing cast, regardless of the weather, powered through the wind and rolled with the punches! (punches being the random bouts of gust which were swiftly met with a collective oooh… or oooww…) One of our actresses even had to jog around the block a few times just to keep herself warm! That’s definitely the spirit right there! Despite the very uncomfortable weather conditions and lack of layers – they were all extremely professional and got on with the job.
We had a couple of dodgy stares from passers by, to be expected though right? One curious cyclist even shouted ‘What are you doing!’ either in a concerned tone, or baffled one, could not quite tell, but after an explanation eventually got bored and wandered off into the wilderness that is London Bridge.
Don’t go away, more blog posts to come 🙂
This is the first of half a dozen guest posts by members of our cast. We were looking for an actress to play the main character’s mum. It had to be someone who could display the strength required to bring up a child as a lone parent and also the nurturing and affectionate side that reminds us all of our own mum. We found Julia’s showreel on youtube and proceeded to invite her for an audition, the rest, as they say, is history – Zaeem
“I have always enjoyed acting and in my younger days was involved with Desborough Players an amateur dramatics society and was in productions for them.
Later in life when my children were older I again started to do amdram at Farnworth Little Theatre and played Sue in Abigail’s Party , the woman in Elegy for a Lady and Stella in House Guest. At the same time I was doing extras work and an evening course in acting at college. I decided I wanted to make acting my profession and to this end I did a BA (Hons) degree in Performing Arts at the University of Salford gaining a 2:1. Of the 200 students on the Performing arts courses we auditioned and 20 were chosen to perform in the showcase at The Royal Exchange Theatre. I played the role of The Sex Worker from The Vagina monologues and also the mother in a duologue in Looking After Tom.
I finished my degree course in 2009 and have since acted in corporate films, music videos, short independent films and performed in a fringe production of The Importance of Being Earnest playing Miss Prism.
I am very much enjoying filming the pilot for PhatFyterz. I love the idea of exploring the subjects of mental health/parenthood/coming of age in the world we live in today. Mental Health is an area that isn’t often portrayed accurately in the media and I believe Zaeem has an important message to put across. I am proud to be one of the actors involved in this project and hope it does well.”