Where to begin? Its been practically two years since my last post. I’ve clearly been busy with personal and professional ‘things’. I joined a meetup group called lets make a scene last year and participated in a number of fun short films, I even got to act in a couple of them, granted I was typecast as ‘Thug #1’ but I liked it and made plenty of friends along the way. Some have gone on to make some amazing shorts, others realised that filmmaking wasn’t for them. We all got something out of it. Thank you Mandana for running a tight ship!
The group was on hiatus for a short while but has now started back up with a new leader at the helm, I haven’t attended any sessions yet but I hope to do so soon. You can check out the group here: http://www.meetup.com/LetsMakeASceneLondon/
Or have a look at our past films on vimeo: https://vimeo.com/groups/266496/videos/136675324
I also had a small part in a Tinder related short from the West London Film Group, it felt good to act again. I produced a short comedy written by Chris Waller: Counsellor(s) a few weeks back which is now in the editing stage (set photos embedded). I cannot wait to share that one with the world, Chris is very talented and I look forward to reading his future scripts. The team got along very well and we all hope to work together again soon. Thank you Chris, Richard, Ranmal, Tugba, Ed & Ed for a great shoot!
A la prochaine, les amies…
How long does it take to edit this bloody thing? Our main edit has been completed for just under a year now. In order to fully realise our vision, we wanted to add some animated transitions between the scenes to add a bit more originality to the episode. The preferred method being rotoscoping, check out the Keanu Reeves and Robert Downey Jr film ‘A Scanner Darkly’ for an example http://www.youtube.com/watch?v=4E9zMVocnys.
Rotoscoping on a budget is a right pain in the **** in that it takes a lot of manual effort to produce just one frame (there are 24 frames in a second of video). So for a five second transition, you need 115 frames and if it takes half an hour per frame, it would take roughly two whole days of work to produce 5 seconds of footage.
It took us a whopping 6 months to find someone who was interested in working that hard on a lo/no pay basis and the reason why they came on board is that they thought the PFZ story is one worth telling.
You can see our animator’s blog here: http://denisantanasblog.blogspot.co.uk/2013/12/last-project-of-year.html
The talented Deni Santana has spent the majority of December working on our transitions, half of them are done and she is currently working on the other half. Thank to Deni’s dedication and creative flair, we have also asked her to be involved in creating the Title Sequence once the transitions are done. Deni is juggling our work among other paid work, check out her blog for more on her current projects.
To be frank, it sucks to have a great piece like PFZ in hand and not be able to share it with the world ASAP, sucks to have to spend so much time on post production, it is downright depressing when i think that we finished shooting this in 2012 and its still not out in 2014. But it will be done, we won’t give up.
I would like to thank everyone who has worked on this and is currently working on this on top of their full time job and family responsibilities, your help is really appreciated.
PFZ will be worth the wait.
A month ago I posted yet another ad on Mandy.com for a 2d animator, I didn’t have much hope as previous ads hadn’t generated any replies at all. You can imagine my surprise when I received 20+ replies to this ad. 20+ Applications to become PhatFyterz’s(?) 2D animator, that’s what I call a result. This weekend I will be going through the various showreels on vimeo and youtube and selecting a few for an informal chat.
Although I am pleased by the popularity of the ad, it is also concerning that so many of the applicants have around a decade of experience in the industry and are still struggling to find work. I suppose with the pervasiveness of visual media these days, a lot more people are interested in getting into that industry, demand for animators is short but supply is very high. I will be ’employing’ one of the guys/gals at no fee as it is a not for profit project at this point.
However, after seeing so many experienced artists out of work, it has renewed my interest in turning this project into a commercially viable one in the near future so that I can actually employ one of these people without the air quotes. What’s also cool is that the artists are from all over the place, some in London, Birmingham, Ireland, Spain and even Georgia! I didn’t realise mandy.com was so commonly used.
I look forward to watching your work and speaking to you all very soon!
I recently sat down with Goolshun Belut, one of the founders of the Old Mauritia facebook community page. We were shooting ideas back and forth regarding the variety of posts on the Old Mauritia page.
I felt that it needed more multimedia content to compound the amount of news links that were being posted. My favorite idea to come out of this discussion was that of producing short videos to hype up the community page. Creating a bunch of memes inspired by mauritian culture was also a strong contender.
Incidentally, two, as yet, unnamed members of Old Mauritia produced a short vidéo titled ‘Bus Beaters’. The latter is a transliteration of the ‘Battere Bis’ expression used in Mauritian Creole to signify ‘scroungers’.
They had unintentionally amalgamated the video and meme idea. Here it is:
Right, so how do you follow that up? I suppose you could attend a Sega Festival and then sing (shout) at the top of your lungs: http://en-gb.facebook.com/photo.php?v=10152679912785385&set=vb.349501278499910&type=3&theater
Hey Friends and Fans,
We have sent out a copy of their best scene to the majority of our actors and the feedback has been very good so far. It has given us a moral boost in continuing the endless task that is editing. We did not find a decent editor in the end so we’re trying other avenues and looking for a 2D graphic artist instead so that we can add a bit of ‘zing’ in the scene transitions rather than sticking with traditional fades and zooms.
Should we not find one, what do we do? I guess we’ll be learning 2D animation then!
We are very close to a working cut of the pilot episode, with cutaways being worked in for good measure. While we’re dying to show you the episode, there is still the not so small matter of color correction.
With that in mind, we have placed an ad on gumtree to find an intrepid video editor who would be willing to join our team and grade the footage.
Fingers & toes crossed, watch this space!
Hey all, editing is still in full swing and going rather well, I must say. Here is a little post that our lead actress wrote during filming, enjoy! – Zaeem
“So. Phat Fyterz. I had the phone call last week from Zaeem being told I had just been cast as the lead character of Allie in the Pilot of Phat Fyterz, the new TV series.
My auditions were filmed by my friend on her iphone in some rather interesting locations (a secret door through the disabled toilets that leads into the pipe and storage room) so I was quite impressed my acting managed to be good enough to overcome the weird location and iphone camera.
After a colder than it looked rehearsal in front of the London Eye last Sunday, today we went to London Bridge to hang about in front of a shop and look like we were generally up to no good (again, definitely colder than expected).
I got to tell a man off for eating too many bananas (in the short time we were there I saw him eating 3 – that’s just too many bananas for anyone and who knows how many more he’d eaten before I saw him) Allie stole booze from a poor bespectacled man and also had a piggy back race and won, and I generally ran around trying not to freeze.
After a warming drink in a pub afterwards we sorted out all the shoot dates and watched the Wakefield Wildcats (my home town team) lose a rugby match really badly and also introduced Mo who plays Toby to the wonderful warming drink that is Baileys.
My fingers are really crossed that we get some of that beautiful sunshine back into our lives for the next outside shoot dates. Can you tell I don’t like being cold?!
Bring on the next scenes!-Sam”